艺术家为铲屎官加冕——St.Tails铲屎官帽二创群展

艺术家为铲屎官加冕

St.Tails铲屎官帽二创群展（第一期）

Crowning Pet Keepers by Artists-Artistic Revival of St.Tails Cap, Group Exhibition

艺术家：钟瑶、伊灵、邢昊、月上、烈子、王轶琼、由沙子、狗哥（朐振龙）、汤军、戈鲁、沈敬东、金鑫、阿继、花语、陈马、詹明昭、李鹏、Rose、李川李不川、杨倩、风、Michel Leonardi、李鹏波、Eleonora 魏梦丹、李念奴、甲甲、fjaka_亓乂、罗应龙、胡赳赳、布木布泰、段维国、白卜旦、娜Na、吴娟、定溪、MUNKH、Luis Bertos、北斗、戴桾、刘庆昌、让·伊夫·布朗杜X金鹰、郑可清、任重远、土浩、吕子由（按参展顺序排列）

策展人：苏菲

视觉设计：烈子

主办：St.Tails文创

出品人：Bing大叔

展览音乐会：Bing大叔&朋友

地址：LCE GALLERY （北京市朝阳区798艺术区七星中街古纳文化2层）

开幕：2026.5.10 15:00

后续巡展：798 LCE gallery后部分作品将短期展示于中国宋庄艺术市集，梧桐艺术商店至5月24日；5月29一31日于“世宠会GWPF”（杭州站）W436 “St.Tails圣托鲁”。之后再返北京，6月底于成都展出。完整系列可参看小红书“St.Tails 圣托鲁文化创意”，欢迎观赏、询问、选购。

Artists: Zhong Yao, Yi Ling, Xing Hao, Yue Shang, Liezi, Wang Yiqiong, You Shazi, Gou Ge (Qu Zhenlong), Tang Jun, Golu, Shen Jingdong, Jin Xin, A Ji, Huayu, Chen Ma, Zhan Mingzhao, Li Peng, Rose, Li Chuan ibuchuan, Yang Qian, Feng, Michel Leonardi, Li Pengbo, Eleonora (Wei Mengdan), Li Niannu, Jia Jia, fjaka_Qiyi, Luo Yinglong、Hu Jiujiu、Bu Mubutai、Duan Weiguo、Bai Budan、Nana、Wu Juan、Ding Xi、MUNKH、Luis Bertos、Bei Dou、Dai Jun、Liu Qingchang、Jean-YvesBlondeau X Jin YIng、Zheng Keqing、Ren Zhongyuan、Tu Hao、Lv Ziyou

Curator: Su Fei

Visual Design: Liezi

Organizer: St.Tails Cultural & Creative

Producer: Bing

Exhibition Concert: Bing & Friends

Address: LCE GALLERY, 2F, Guna Culture, Qixing Middle Street,798 Art District, Chaoyang District, Beijing

Opening: May 10, 2026, 3:00

Ongoing exhibitions: Subsequent works from the 798 LCE gallery will be showcased at the Songzhuang Art Market in China, at the Tungzhou Art Shop, until May 24; from May 29 to 31, at the “Grandeur World Pet Fair，GWPF” (Hangzhou venue) W436 “St.Tails ”. The series will then return to Beijing, where it will be exhibited in Chengdu in late June. For more information on the complete series, please refer to the Red Note post “St. Tails” Cultural and Creative”. Feel free to visit, inquire, and make purchases.

我们将一顶铲屎官帽（棒球帽）转化为一场关于“加冕”的艺术仪式。

艺术家们以完全自由的创作姿态，在帽身之上完成对“铲屎官”身份的艺术解构与重塑。每一顶帽子，都是一次独立的艺术宣言：宠物是主人的王子、公主，而艺术，为这份爱加冕。展览以帽为媒，串联起多元艺术风格与万千人宠故事，让日常的陪伴，升华为可被佩戴、可被感知的艺术。

艺术家 由沙子

短短数周内逾50位国内外艺术工作者互相推荐并以行动参予，其中不乏国內的大腕，国外艺术学院教授、知名流浪动物救援组织的负责人，同时也有12岁的儿童绘画天才，各显神通，好不热闹！

小小艺术家 吕子由

有老师的作品利用了标识，高明的提升了官帽的可观性。我也相信大部分人不会一眼见标识就爱上，标识是赋予了帽子的定位，如何化腐朽为神奇，就是这次“铲屎官帽”二次创造最大的功课。

仿佛就像人生，在有限的空间里做出精彩的突破，可能会长出更可贵的花朵。

所有的演绎，花过心思，愿意跟这个世界对话，传达着爱动物，作为人类如何善待我们跟动物之间的关系，让世界以至宇宙，更值得我们留恋並存，是这一次活动其中的意义。

花语、王轶琼、娜Na（从左至右）

善——这社会稀缺的品德，有时候其实是缺了一个能安心发挥的机会。

感谢上帝，或者我们一个人办不了，一起来做就成了。

“艺术家为铲屎官加冕”是一个从无变有的过程，暂时我还不知道能走多远，但对于艺术家、流浪动物救助组织，甚至St.Tails我祈求的是商业运作，一手抱着艺术 一手抱着工益一起飞翔

——Bing大叔

音乐会现场：Bing大叔&朋友

策展人言：

本次展览将St.Tails铲屎官帽子（5原色）作为空间物与媒介，完成一场人和宠物爱的艺术加冕仪式。多位当代艺术家以St.Tails帽子为载体进行自由创作，重构其符号、形式与精神内涵。聚焦于人类与陪伴生命体之间的共生关系，探讨亲密日常里的依恋、主体性、温柔与权力，共生、守护与身份。日常陪伴之间，是温柔又深刻的加冕。彼此主权，相互加冕。

苏菲

2026.4.3

拍卖现场

让·伊夫·布朗杜、金鹰

热烈庆祝布朗杜妈妈培育的蝴蝶犬Lazare 30岁大寿， 感谢“铲屎官”艺术项目， 我们将携手将爱狗公益和爱狗艺术，一起发展下去！

参展作品

SELECTED WORKS

艺术家：钟瑶 Zhong Yao

艺术家：伊灵 Yi Ling

艺术家：邢昊 Xing Hao

艺术家：月上 Yue Shang

艺术家：烈子 Liezi

艺术家：王轶琼 Wang Yiqiong

艺术家：由沙子 You Shazi

艺术家：狗哥（朐振龙） Gou Ge（Qu Zhenlong）

艺术家：汤军Tang Jun、沈敬东Shen Jingdong、戈鲁Ge Lu

艺术家：fjaka_亓乂

艺术家：金鑫 Jin Xin

艺术家：阿继 A Ji

艺术家：花语 Hua Yu

艺术家：陈马 Chen Ma

艺术家：詹明昭 Zhan Mingzhao

艺术家：李鹏 Li Peng

艺术家：Rose

艺术家：李川李不川 Li Chuanlibuchuan

艺术家：杨倩 Yang Qian

艺术家：风 Feng

艺术家：李鹏波 Li Pengbo

艺术家：Michel Leonardi

艺术家：Eleonora 魏梦丹

艺术家：李念奴 Li Niannu

艺术家：甲甲 Jia Jia

艺术家：罗应龙 Luo Yinglong

艺术家：段维国 Duan Weiguo

艺术家：布木布泰 Bu Mubutai

艺术家：白卜旦 Bai Budan

艺术家：娜Na Nana

艺术家：吴娟 Wu Juan

艺术家：定溪 Ding Xi

艺术家：戴桾 Dai Jun

艺术家：MUNKH-ERDENE MUNKHZORIG

艺术家：Luis Bertos

艺术家：刘庆昌 Liu Qingchang

艺术家：北斗 Bei Dou

艺术家：任重远 Ren Zhongyuan

艺术家：让·伊夫·布朗杜、金鹰

Jean-Yves Blondeau、Jin Ying

艺术家：郑可清 Zheng Keqing

艺术家：土浩 Tu Hao

艺术家：吕子由 Lv Ziyou

艺术家：苏菲 Su Fei

展览现场

We begin with a familiar object: the “pet parent” cap—a baseball cap embedded in everyday life. Through artistic intervention, it is reconfigured as a site ofcoronation.

Working with complete freedom, the artists engage the cap as both surface and symbol, deconstructing and rearticulating the identity of the “pet owner.” Each piece emerges as an autonomous proposition: within this shifted perspective, animals assume the roles of princes and princesses, while art performs the act of crowning—an elevation of care, intimacy, and emotional reciprocity.

As a medium, the cap becomes a point of convergence, bringing together heterogeneous artistic languages and a multiplicity of human–animal narratives. What is ordinarily fleeting—daily companionship—is translated into something tangible, wearable, and sensorially present.

Within a matter of weeks, over fifty practitioners from across China and beyond joined through networks of recommendation and affinity. The participants range from established figures in the contemporary art field, to professors at international academies, to leaders of animal rescue organizations, and even a twelve-year-old painting prodigy. Their coexistence generates a dynamic field of expression—plural, unhierarchical, and alive.

Certain works engage with pre-existing insignia, subtly amplifying the visual authority of the “official cap.” Yet the logo itself does not guarantee attachment; it merely assigns a position. The true challenge—and potential—lies in the act of transformation: how the residual and the ordinary may be transfigured into something resonant.

In this sense, the project echoes a broader condition of life: within constrained frameworks, it is still possible to produce moments of rupture—out of which something unexpectedly vital may emerge.

Across these works runs a shared impulse: a desire to enter into dialogue with the world, to articulate care for animals, and to reconsider the ethical and emotional dimensions of human–animal relations. It gestures toward a vision in which the world—and even the cosmos—becomes more inhabitable, more worthy of coexistence.

Kindness, often perceived as scarce, may simply be awaiting the conditions in which it can unfold.

Whether one attributes this to faith, chance, or collective effort, one thing remains clear: what cannot be realized alone becomes possible together.

— Bing

Curatorial Statement

This exhibition takes the St.Tails “pet parent” caps (in five primary colors) as spatial objects and as a medium, staging an artistic ritual of coronation centered on the bond between humans and their animal companions.

A group of contemporary artists engage the St.Tails cap as a site of intervention, freely reworking its symbolic language, formal structure, and underlying spirit.

Focusing on the symbiotic relationship between humans and companion beings, the exhibition explores intimacy within the everyday—attachment, subjectivity, tenderness, and power—alongside notions of coexistence, care, and identity.

Within daily companionship unfolds a form of coronation that is both gentle and profound: a mutual recognition of sovereignty, a shared act of crowning.

— Su Fei

April 3, 2026